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What Is Signal-To-Noise Ratio, And Why Does It Matter?

Signal-To-Noise RatioMost people understand the importance of amplifier power specifications. In most cases, more power is a good thing, that is, until you reach the thermal or suspension limits of the speakers you are using. One specification that is also very important in a mobile electronics amplifier, processor or source unit is Signal-to-Noise Ratio. In this article, we are going to explain what S/N Ratio numbers are and why they are important.

All the Noise, all the Time!

Signal-To-Noise RatioIt just so happens that when you pass a signal through any device – like a piece of wire, resistor, capacitor, inductor, transistor or anything else you can think of – a tiny little bit of noise is added to the signal. There are many different kinds of noise. The random motion of electrons bouncing around as they pass through a device causes thermal noise. Higher temperatures result in more noise. Another common noise is Shot Noise. The difference in arrival times of electrons as they cross a barrier or gap between two materials causes Shot Noise. Devices like transistors and diodes, which have different layers of materials inside, are common sources of Shot Noise. There are many more types of noise.

As you can imagine, the amount of noise generated by any one of these devices is minuscule. When you add up a little bit of noise from a bunch of components, then you amplify the resulting signal, the amount of noise in the output of a circuit grows dramatically.

Noise happens in source units, signal processors and amplifiers. Once you add noise to the signal chain, it’s essentially impossible to remove it.

The Sound of Noise

Signal-To-Noise RatioAn easy way to hear what noise sounds like is to connect a set of headphones to your laptop computer and turn the volume up fairly high. You’ll hear a hiss through the headphones. That’s noise. (Note: Please be careful, we want you as an audio enthusiast for life. Take those headphones off before your computer plays a sound and you risk damaging your hearing.)

How We Measure Noise

Signal-To-Noise RatioThere are a few ways to quantify the noise an electronic component creates. One method is to simply state the noise on the output of the device in absolute terms. The measurement could be in volts or watts, and quantifies the amplitude of the noise signal. You won’t see this used to describe audio components, however.

The most common method of quantifying the noise that a product adds to the signal is to compare the noise level to that of the audio signal coming out of the device. Because the difference in these levels can be quite large, we state the ratio of the signal level to the noise level using the decibel (dB) scale. The decibel scale is logarithmic. As such, a difference of 6 dB represents a doubling of the amplitude ratio, 20 dB is ten times the amplitude, 40 dB is 100 times, 60 dB is 1000 times and 80 dB is 10,000 times and so on.

Let us look at a moderate quality amplifier – nothing awesome, nothing disastrous. We see that this fictional amplifier has a S/N Ratio of -82.3 dB when referenced to 1 watt of power output into a 4-ohm load. What does that mean? Well, first, we know that to produce 1 watt of power into a 4-ohm speaker, we need 2 volts RMS of signal coming out of the amp. Our noise level is 82.3 dB quieter than 2 volts. Using an online calculator, that means that the noise produced by this amp is 0.00006918309709189363 times smaller than 2 volts, so it’s about 0.000138 volts. A little more math and that works out to 4.785 nanowatts.

Nope. That isn’t very much noise. And in most cases, you probably can’t hear it.

What if we work hard and find a below-average amplifier? Something with a S/N spec down around 70 dB? If we apply that math to our 2 volts of rated output, we get a noise level of 99.99 nanowatts. Yep, that’s a LOT more watts as compared to the previous example.

Clarifying the Mysterious Signal-To-Noise Ratio

If you look at an amp spec from more than about 10 years ago, or you see a number that is abnormally high, they may be rating the noise level using the maximum output capability of the amplifier as the comparing factor. If we measure an amplifier’s noise output level at 1 watt to be 85 dB, then you increase the amplifier’s output to 10 watts, assuming it doesn’t make any additional noise, the S/N ratio will be -95 dB. If the amp can produce 100 watts with no more noise, the ratio is now -105 dB. There are hundreds of amps that can produce 1000 watts – so that noise ratio measurement would now be -115 dB. When it comes to printing numbers on a gift box, in a brochure or publishing them on a website, being able to say that the S/N Ratio is -115 dB sure looks more appealing than -85 dB.

Signal-To-Noise RatioThe CEA-2006 specification established a standard set of guidelines for S/N Ratio noise measurement. The specification dictates that we measure the S/N Ratio compared to 1 watt of output into a 4-ohm load. A new specification is in the works that will help quantify the adjustment of the sensitivity setting on the amplifier during the measurement process. As it sits, the lower the setting of the amp, the better the S/N ratio measurement will be. Want to confirm this? Next time you are installing an amp, turn the system on with no signal connected to the amp and listen to the speakers. Then turn the amp gain up all the way. You will hear the noise level increase. Please turn the gain back down and shut the system off before proceeding.

Why is the Lack of Noise Important?

How can we quantify the desire not to add noise to our signal? Here is a simple analogy. If you purchased a TV in recent years, you may have heard the expression ‘blacker blacks.’ ‘Blacker blacks’ refers to how dark the screen gets when there is no signal. Blacker is better. When you think about your audio system, a ‘more negative’ S/N ratio means that the noise is quieter than the audio signal. We don’t want to listen to noise. -90 dB is better than -80 dB. Go it? Clear?

There are so many criteria to balance when choosing any car audio product. Power levels, efficiencies, distortion characteristics, features and functions all play an important role. Understanding the meaning of the S/N ratio measurement is very important. We don’t want ANY distortion or noise added to our music, but the laws of physics deny us that luxury. Do your best to choose products that, through careful design and choice of internal components, minimize these negative effects. Your local mobile electronics specialist can help steer you towards some amazing equipment. Drop in and check out what’s new.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, Classic Car Audio, RESOURCE LIBRARY

Choosing Speakers For Your Car: Components Or Coaxials?

Choosing SpeakersDeveloping a speaker requires that the designer and engineer balance many different aspects, such as the application, cost and desired performance level of the end product. For the consumer, navigating the thousands of different speaker offerings on the market can be difficult. Two speakers can measure similarly regarding efficiency, power handling and frequency response, but still perform completely differently because of different distortion characteristics. Cone, dust cap and suspension resonance, motor non-linearity, and enclosure/application requirements play a crucial role in determining how the end-product will sound once installed in the listening environment. This article scratches the surface of looking at the benefits and drawbacks of choosing speakers by comparing coaxial and component speaker designs.

When Choosing Speakers, Define the Design

Choosing SpeakersComponent (or separate) speakers are a set of speakers that includes a set of dedicated midrange drivers and dedicated tweeters. Each of those four speakers requires a dedicated mounting location. By contrast, a coaxial speaker features a midrange driver with a tweeter mounted in the center of it. In most cases, the tweeter is on top of an extension post connected to the pole piece. Other coaxial designs use a bridge or mesh grille to suspend the tweeter over the midrange. These are sometimes called coaxially mounted components by marketing departments.

Benefits of Coaxial Speakers

In most cases, coaxial speakers are the less-expensive options in a product lineup. This pricing is due to the chosen target customer and not because you can’t make a high-quality coaxial speaker. Less-expensive magnets, baskets, cone materials and suspension components, and wider tolerances that allow for faster production with fewer rejected assemblies, all help reduce cost. The benefit is, if you need an inexpensive speaker, coaxials are a good solution.

Coaxial speakers can be installed faster, so they are less expensive to install. The integrated tweeter saves a lot of time during the installation process. Most coaxial speakers have integrated crossovers of some sort that don’t require special wiring or mounting. The net result is that your installer can get them up and running in your vehicle in about half the time it takes to install a component set, which means your labor charges will be reduced.

Benefits of Component Speakers

Most component speakers are made from better materials and have higher performance goals. High-end components can cost more than $5,000 for a set and often include premium passive crossover networks, elaborate installation accessories and – of course – amazing speakers. The sound that component speakers produce, when installed and tuned properly, can be amazing!

When a good set of components is tuned properly, most of the sound can appear to come from the tweeters. Having a separate tweeter allows your installer to mount it high in the vehicle – at the top of the door, on the dash or in the A-pillar. The combination of proper tuning and placement puts the music out in front of you, essentially at eye level. This higher soundstage is similar to what you would experience at a concert, listening to the band performing in front of you.

Choosing SpeakersMany factors contribute to where and how your installer mounts the tweeters – your budget, your performance goals, and how much modification you want or will allow to your vehicle. All locations have their benefits and drawbacks. For example, a tweeter mounted on the dash or A-pillar is very near the windshield. The hard surface of the windshield can cause significant reflections. Alternatively, a mounting location in the upper section of the door may reduce these reflections, but may not raise the soundstage as high, or could make it appear to come from somewhere closer to you than the dash or pillar location.

A component speaker doesn’t have any of its output blocked by the tweeter, which eliminates some minor reflections . Likewise, with a coaxial speaker that uses a tweeter post, a component speaker can have a full dust cap. The dust cap moves with the cone and increases the driver cone area. Additional cone area increases the driver’s efficiency.

The Huge Role of Crossovers

Choosing SpeakersWhether you choose a coaxial or component speaker set, you are going to need a crossover to handle splitting up the frequencies. In the most basic of speakers, a capacitor is used on the wire going to the tweeter to block low and midrange information. The midrange driver is allowed to roll off naturally – ideally, there are no significant high frequencies resonances that will affect the sound.

As you progress up through the quality of a speaker set, you will see steeper filter networks on tweeters. These steeper networks allow the tweeter to play to a lower frequency and then be stopped to protect it from excursion damage. At the same time, filtering the high-frequency output of the midrange is common in mid- to high-end crossover networks. Speaker manufacturers construct the most elaborate of crossover networks with premium components for both the high- and low-pass portions of the network. Adjustability is often built into the crossover for tweeter level. Small components can be overdriven and saturated, reducing their effectiveness. Large amounts of distortion can cause the tweeter cap to overload and explode.

The Option of Coincident-mounted Coaxial Speakers

Choosing SpeakersThe radiation pattern of a speaker is a sphere in its standard operating range. As frequency increases, this output pattern becomes more directional. When a tweeter is mounted at the base of a midrange, a phenomenon occurs called Intermodulation Distortion. As the cone of the midrange moves up and down to reproduce music, this moving surface modulates the reflections of the tweeter.

It is worth noting that the same thing happens when a single speaker cone is asked to reproduce high frequencies: The source of the high-frequency sounds moves forward and rearward as the speaker cone attempts to reproduce lower frequencies. This modulating effect is known as Doppler Distortion. These distortions, combined with the narrowing of the radiation pattern as frequency increases, are some of the many reasons why we have to use different-sized speakers to reproduce music accurately.

When shopping for a coaxial speaker, you will want to choose one that has the tweeter mounted low enough not to interfere with the installation of a grille or trim panel over top of the speaker. You should also look for a tweeter that has a small waveguide that prevents the output from bouncing off the midrange cone.

Shopping for Speakers

We could spend years discussing the different aspects of speaker design and performance. Suffice it to say that you should seek out the assistance of a seasoned and reputable professional for purchase and installation. Be sure to quantify as much of the purchase process as possible – your financial limits, cosmetic preferences regarding installation and performance goals for the system. You will want to use music you have listened to many times when auditioning speakers.

You may want to listen to both a set of more- and less-expensive speakers to help quantify the price point you have chosen. Finally, talk with the salesperson and, if possible, the installer about how and where the speakers will be installed. Be sure to ask about sound deadening, spacers, wiring and anything else that can affect the performance of the installed speaker.

Speaker shopping is a lot of fun, and getting new speakers for your car, truck, boat or motorcycle can be very exciting. Be patient – take your time and be thorough. You will enjoy your new purchase all that much more when you choose a great-sounding speaker and a skilled installer.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Product Spotlight: Rockford Fosgate PMX-HD14

Rockford Fosgate PMX-HD14

Rockford Fosgate, a brand synonymous with Harley-Davidson amplifier, speaker and subwoofer upgrades, has just introduced its PMX-HD14 multimedia infotainment system. If you have a 2014 and newer Street Glide or Ultra, or 2015 and newer Road Glide, this might be the perfect way to make your entire stereo system sound better. Best of all, it’s got a unique trick up its sleeve. Let’s check it out.

Rockford Fosgate PMX-HD14
The new Rockford Fosgate PMX-HD14 is the ultimate audio upgrade for your Harley-Davidson touring motorcycle.

Features of the Rockford Fosgate PMX-HD14 Radio

The PMX-HD14 is Rockford Fosgate’s second foray into the multimedia receiver market for Harley-Davidson. The radio is a direct drop-in upgrade for many of H-D’s touring bikes. This plug-and-play design works with the existing power and speaker wiring. It also features a 7-inch touchscreen that works even if the rider is wearing gloves. The screen and the trim around it are Element Ready, the term Rockford Fosgate gives to products that are sealed to keep out water and dust and can handle prolonged UV exposure and all the vibrations from applications like a big V-twin motorcycle.

In terms of the interface, there are four fixed buttons adjacent to the screen for Home, Settings, Information and Power control. A short press on the information button in the top right increases the radio volume, and a short press on the power button below it lowers the volume. Pressing and holding the information button brings up an odometer and distance-since-last-service display.

Rockford Fosgate is on top of the integration situation with the PMX-HD14. The radio is compatible with the factory-installed handlebar audio controls without the need for any additional parts. It works with wireless headsets and the OEM CB system when the WHIM and CB modules are present. And there’s no need to reflash the bike to maximize the radio’s performance. These features make the radio ideal for those who don’t want permanent modifications on their motorcycle.

Harley-Davidson Multimedia Radio Audio Sources

Of course, the PMX-HD14 has an AM/FM and Weather Band receiver, so you can tune in to your favorite local radio stations. An optional SXV300 tuner module will give you access to SiriusXM satellite radio for uninterrupted genre-specific programming from coast to coast. You can also play MP3, WMA or FLAC digital audio files from a USB memory stick. A Bluetooth receiver allows you to play music stored on a portable media player or stream audio from your smartphone.

The PMX-HD14 also includes Apple CarPlay. Connect your Apple iPhone and you can easily access entertainment, communication and navigational information. You can make phone calls or send text messages without taking your eyes off the road. If you’re on a cross-state or cross-country adventure, access to Apple Maps, Google Maps and Waze will help you reach your destination efficiently and safely. Of course, dedicated CarPlay streaming apps like Pandora, IHeartRadio, Pandora or Spotify make listening to almost anything you want quick and easy.

Rockford Fosgate PMX-HD14
Large menu icons and handlebar control integration make the PMX-HD14 intuitive and safe to operate.

Take Your Party on the Road

Rockford Fosgate knows that an essential part of owning a Harley-Davidson motorcycle is the lifestyle and brotherhood with fellow riders. That awareness led them to create a feature called Street Party Mode. If your friends have a PMX-HD14 on their bikes, you can share whatever music you’re playing. They can connect their radios to yours using a proprietary Bluetooth 5.0 solution. The crew can enjoy the same music while cruising or hanging out.

Amazing Audio and Processing Features

The PMX-HD14 includes a built-in amplifier that can deliver 25 watts of clean power to four 4-ohm speakers or 50 watts to four 2-ohm speakers. The radio has six preamp outputs that provide up to 4 volts RMS to your amplifiers. A built-in 14-band graphic equalizer allows you or your installer to fine-tune the sound to your listening preferences. Rockford Fosgate invested a lot of time developing this radio, with innovations like audio presets – called Optimized Tunes – for the different Rockford Fosgate amplifier, speaker and subwoofer upgrade solutions available for your bike.

Rockford Fosgate PMX-HD14
Rockford Fosgate audio upgrade kits’ preset settings ensure maximum performance with minimal configuration time.

Transform Your Motorcycle Adventure with Rockford Fosgate

If high-quality sound, reliability and an easy-to-use interface are on your radio shopping list, drop by a local authorized Rockford Fosgate retailer and check out the Rockford Fosgate PMX-HD14. With a very detailed compatibility list on the product website, you can instantly see whether the radio is suitable for your touring bike. Follow Rockford Fosgate on Facebook and Instagram to keep up with their latest releases. Of course, their YouTube Channel has some of the coolest and most informative videos in the mobile audio industry.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio, PRODUCTS Tagged With: Rockford Fosgate

Product Spotlight: Rockford Fosgate PMX-HD14

Rockford Fosgate PMX-HD14

Rockford Fosgate, a brand synonymous with Harley-Davidson amplifier, speaker and subwoofer upgrades, has just introduced its PMX-HD14 multimedia infotainment system. If you have a 2014 and newer Street Glide or Ultra, or 2015 and newer Road Glide, this might be the perfect way to make your entire stereo system sound better. Best of all, it’s got a unique trick up its sleeve. Let’s check it out.

Rockford Fosgate PMX-HD14
The new Rockford Fosgate PMX-HD14 is the ultimate audio upgrade for your Harley-Davidson touring motorcycle.

Features of the Rockford Fosgate PMX-HD14 Radio

The PMX-HD14 is Rockford Fosgate’s second foray into the multimedia receiver market for Harley-Davidson. The radio is a direct drop-in upgrade for many of H-D’s touring bikes. This plug-and-play design works with the existing power and speaker wiring. It also features a 7-inch touchscreen that works even if the rider is wearing gloves. The screen and the trim around it are Element Ready, the term Rockford Fosgate gives to products that are sealed to keep out water and dust and can handle prolonged UV exposure and all the vibrations from applications like a big V-twin motorcycle.

In terms of the interface, there are four fixed buttons adjacent to the screen for Home, Settings, Information and Power control. A short press on the information button in the top right increases the radio volume, and a short press on the power button below it lowers the volume. Pressing and holding the information button brings up an odometer and distance-since-last-service display.

Rockford Fosgate is on top of the integration situation with the PMX-HD14. The radio is compatible with the factory-installed handlebar audio controls without the need for any additional parts. It works with wireless headsets and the OEM CB system when the WHIM and CB modules are present. And there’s no need to reflash the bike to maximize the radio’s performance. These features make the radio ideal for those who don’t want permanent modifications on their motorcycle.

Harley-Davidson Multimedia Radio Audio Sources

Of course, the PMX-HD14 has an AM/FM and Weather Band receiver, so you can tune in to your favorite local radio stations. An optional SXV300 tuner module will give you access to SiriusXM satellite radio for uninterrupted genre-specific programming from coast to coast. You can also play MP3, WMA or FLAC digital audio files from a USB memory stick. A Bluetooth receiver allows you to play music stored on a portable media player or stream audio from your smartphone.

The PMX-HD14 also includes Apple CarPlay. Connect your Apple iPhone and you can easily access entertainment, communication and navigational information. You can make phone calls or send text messages without taking your eyes off the road. If you’re on a cross-state or cross-country adventure, access to Apple Maps, Google Maps and Waze will help you reach your destination efficiently and safely. Of course, dedicated CarPlay streaming apps like Pandora, IHeartRadio, Pandora or Spotify make listening to almost anything you want quick and easy.

Rockford Fosgate PMX-HD14
Large menu icons and handlebar control integration make the PMX-HD14 intuitive and safe to operate.

Take Your Party on the Road

Rockford Fosgate knows that an essential part of owning a Harley-Davidson motorcycle is the lifestyle and brotherhood with fellow riders. That awareness led them to create a feature called Street Party Mode. If your friends have a PMX-HD14 on their bikes, you can share whatever music you’re playing. They can connect their radios to yours using a proprietary Bluetooth 5.0 solution. The crew can enjoy the same music while cruising or hanging out.

Amazing Audio and Processing Features

The PMX-HD14 includes a built-in amplifier that can deliver 25 watts of clean power to four 4-ohm speakers or 50 watts to four 2-ohm speakers. The radio has six preamp outputs that provide up to 4 volts RMS to your amplifiers. A built-in 14-band graphic equalizer allows you or your installer to fine-tune the sound to your listening preferences. Rockford Fosgate invested a lot of time developing this radio, with innovations like audio presets – called Optimized Tunes – for the different Rockford Fosgate amplifier, speaker and subwoofer upgrade solutions available for your bike.

Rockford Fosgate PMX-HD14
Rockford Fosgate audio upgrade kits’ preset settings ensure maximum performance with minimal configuration time.

Transform Your Motorcycle Adventure with Rockford Fosgate

If high-quality sound, reliability and an easy-to-use interface are on your radio shopping list, drop by a local authorized Rockford Fosgate retailer and check out the Rockford Fosgate PMX-HD14. With a very detailed compatibility list on the product website, you can instantly see whether the radio is suitable for your touring bike. Follow Rockford Fosgate on Facebook and Instagram to keep up with their latest releases. Of course, their YouTube Channel has some of the coolest and most informative videos in the mobile audio industry.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio, PRODUCTS Tagged With: Rockford Fosgate

The Importance Of Proper Car Audio Speaker Installation

Speaker InstallationThe speakers in your mobile entertainment system are one of the most critical components in determining how your system sounds. If you choose poorly designed speakers that have distortion issues from poor cone, suspension or motor design, no amount of signal processing can make your system sound great. The methods used to install your speakers are as important as the design of the speakers themselves. In this article, we are going to look into some of the common mistakes that occur during speaker installation and how to maximize the performance of your speakers.

Speakers Need A Stable Foundation

Speaker InstallationIf you want to listen to a record player, you want the unit to be on a solid table or stand. You’d never try to hold the turntable on your lap – the needle would jump and bound all over the place. When it comes to speakers, you want all the energy from the motor to move the speaker cone and not the basket. Why would the basket move? Newton’s Third Law of Motion states: When one body exerts a force on a second body, the second body simultaneously exerts a force equal in magnitude and opposite in direction on the first body.

When the voice coil pushes the speaker cone out, the inertia of the cone is also pushing back on the fixed magnet. If the speaker isn’t mounted securely, it will buzz, vibrate and otherwise move around. These vibrations cause all manner of distortion.

Look at a set of high-end home audio speakers. Years ago, Linn had a set of narrow floor-standing speakers that used a pair of small midrange drivers, roughly 4.5 inches in diameter. The front baffle of the speaker enclosure was 1.5-inch thick MDF. If you knocked on it with your knuckles, it sounded like concrete. And yes, those speakers sounded excellent!

Speaker Installation – Consider Mass

To combat the forces generated by the moving speaker cone, you will want to consider beefing up the mounting surface. In the case of a subwoofer enclosure, an extra-thick front panel can help. Vertical braces on either side of the speaker mounting surface help even more. The best solution is to run full-size braces from the front of the enclosure to the rear. Full depth braces lock the front and rear panels together and add dramatic strength to the speaker mounting surface. These braces also control vibrations in the rear panel to improve performance further.

For a smaller speaker such as midrange or midbass driver in a door, adding strength is a little more difficult. The most common practice is to add a layer or two of butyl damping material (sound deadening) to the metal around the speaker. You can even add a layer or two on the inside of the door skin if you are concerned about thickness. Damping materials with an aluminum layer add a little extra mass.

Speaker Installation
These plastic speaker adapters by the crew at Mobile Edge will last the life of the vehicle.

If your installer is constructing a set of speaker mounting adapters, then ask if they are using a material that has some mass to it. HDPE and ABS are good; acrylic is even better. A material like Corian – the DuPont countertop material – is fantastic. You can easily cut and shape Corian and glue parts together with Cyanoacrylate (Crazy Glue). You may want to use thread inserts or t-nuts with all of these materials. While it is readily available and easy to work with, don’t use wood for speaker adapters inside doors – it will get wet, swell up and deform. It can also hold water and get moldy.

Speaker Installation – Location Matters

Speaker Installation
This enclosure, by Handcrafted Car Audio is perfect for maximizing the bass output without taking up any usable hatch space.

If your audio system is going to use factory speaker locations, most of the time these are acceptable to provide an unobstructed output path to the listening area. The last thing you want to do is block the output of the speaker by putting something in front of it. Keep magazines, books, paper and other objects from piling up in front of, or on top of, your speakers.

For subwoofers, the location of the sub has a dramatic effect on how it sounds. You want the energy from the subwoofer to be able to mix with the sound from your midbass speakers as easily as possible. For this reason, hatchbacks and SUVs are great for bass. If you have a sedan, then firing the output of your subwoofer through a ski pass-through works well. You can get away with firing subs into the trunk of a sedan, but you will want to ensure that your midbass drivers can play fairly low – say 75 Hertz or so – to ensure that you don’t lose impact and dynamics.

Back-Wave Cancellation Problems

We use speaker enclosures for two primary reasons – to limit the movement of the speaker cone and to prevent the sound coming from the rear of the speaker cone from canceling out the sound coming from the front. You need to prevent the rearward sound from mixing with the front. For midrange speakers, this means building good quality mounting adapters. Your installer can also use sound-deadening materials to seal up openings in the interior skin of your door panels. You will get better speaker performance with proper back-wave management than you will just buying better speakers.

Weather Protection Ensures Longevity

Speaker Installation
In another Handcrafted Car Audio installation, they were fortunate enough to have room to build a sealed enclosure for these midrange speakers.

When mounting speakers in a door panel, it is inevitable that the back of the speaker will get wet. The interior of doors are not completely watertight, and this poses a challenge for installers. Creating an enclosure out of a water-resistant material would be the perfect option, but there is rarely enough mounting depth and it is difficult to create an enclosure that is large enough not to affect the performance of the speaker. For many years, installers have used foam ‘hats,’ cut in half to protect the top of the speaker from direct exposure to drops from the window seal. These are a good option. A thick foam gasket mounted behind the speaker mounting surface can also help. Companies like SoundSkins and F.A.S.T. Rings have ready to apply pre-cut solutions.

There are dozens of other considerations when it comes to having your speakers installed. The most important task for you is to partner with a retailer that does high-quality work and has an excellent reputation. Choosing great speakers for your car audio system is a lot of fun. Hearing them perform up to their potential is even better.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

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Testimonials

Nice staff and honor their work

Audio Crew did some work for me about 2yrs ago. A speaker they installed wasn't working properly. They checked it out and problem was a corroded wire. They fixed the problem and told me no charge for the repair. Very nice of them to do that as problem wasn't their fault in the first place. Audio Crew have a nice staff and honor their work.

VERY HONEST and PROFESSIONAL company

I purchased a 2019 used car for my wife and she wanted a remote started installed. I went to Audio Crew, who I had dealt with before, got a price and made an appointment. We dropped the car off the night before, for the appointment with a request that they call us when ready. Early the next morning, I received a call telling me that there was good news!! The car already had a remote starter which was programmed into the factory remote. We only need to press the "lock" button three times to star the car!! The dealer who sold us the car was not aware of that, it was a pleasant surprise to us and a $350 savings. THANK YOU to a VERY HONEST and PROFESSIONAL company.

Absolutely the best service

Absolutely the best service you will get anywhere. They go above and beyond! Can’t recommend them more! They fixed our issue quickly. Super friendly and helpful. Will not buy anywhere else.

Great Service

Great service, huge demo room with great prices. Very knowledgeable and professional service from the owner and will work within your budget to help you achieve your goals in the sound system your looking for. Extremely great experience dealing with them, also pricing was excellent competitive prices.

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Location


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Address

Audio Crew

624 Salisbury Rd
Moncton, NB E1E 1B8
506-858-2739

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Services

  • Car Audio
  • Marine Audio
  • Motorcycle Audio
  • Remote Starters
  • UTV and Side-by-Side Upgrades

Store Hours

Monday, Tuesday, Wednesday, Thursday, Friday8:30 am – 5:00 pm

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