Product Spotlight: Thinkware Q200 Dash Camera

Consumers typically have two schools of thought when it comes to dash cameras. Some want the most advanced technology and highest-resolution image sensors available. Others believe that any dash camera system is exponentially better than none. Sadly, the latter concept often leads to people buying low-quality, unreliable solutions. Sitting between these philosophies is the Thinkware Q200 dash camera system. With 2K QHD image quality on the front, 1080P FHD image quality on the rear, intelligent parking modes, and built-in Wi-Fi connectivity, this affordable system is anything but run-of-the-mill. It even includes a 32 GB microSD card! Let’s check it out!

Thinkware Q200 Front and Rear Camera System

The Thinkware Q200 dash camera system is based around the compact (3.9 x 0.9 x 1.3 inches) forward-facing camera with its Quad-HD (2506 x 1440-pixel) image sensor. The camera has a 125-degree field of view, offering a good balance of forward focus and side-approach monitoring. Videos are recorded in HEVC format using the H.264 codec to keep the file sizes manageable. As mentioned, the system includes a UHS-1 32 GB memory card but can accept cards up to 256 GB in capacity for over 800 minutes of storage.

The camera includes several video processing technologies to help improve image quality. First, Super Night Vision 2.0 helps ensure clear, low-noise images in low-light situations, capturing details like license plates or street signs when it’s dark. Advanced Video Clear Technology includes High Dynamic Range (HDR) capture technology that compresses washed-out highlights while boosting information usually lost in the shadows. Smart focusing and intelligent auto exposure enhance the system’s ability to store clear, sharp videos. Finally, de-warping technology reduces barrel distortion so objects at the extreme edges of the video don’t look misshapen.

The camera body has three connection ports: one connection is on top of the chassis for the power source, while one on the side is for the rear camera and one for the GPS receiver. The buttons on the rear panel activate the manual recording mode, and another provides control options for Bluetooth and Wi-Fi connectivity. You can use Wi-Fi with the free Thinkware Dash Cam Link application to download videos directly from the camera. Alternatively, you can remove the microSD card from the bottom of the chassis and use the PC viewer software to view video files.

Rear and Optional Cameras

The rear camera included with the Q200 Front and Rear kit is even more compact (2.40 x 1.20 x 0.98 inches) and captures video in full HD (1920 x 1080 pixels). It shares the same 125-degree field of vision as the front camera and records at 30 frames per second. A 19.7-foot cable lets your installer connect the rear camera to the front camera.

Another option is the infrared interior camera from Thinkware. This compact camera (part number TWA-NIFR) is ideal for taxi, limousine, and rideshare applications where recording what happens and what’s said inside the vehicle is important. The camera includes two compact infrared transmitters so it can effectively see in the dark.

The Q200 is compatible with the optional multiplexer box. With this option, your installer can add three additional cameras to the system, bringing the total to five. The four cameras connected to the multiplexer combine their images into a single video feed that records on the rear channel of the Q200. Side-view and infrared interior cameras are just some options available for additional cameras.

Parking Mode

For those not up-to-date with dash camera lingo, the parking mode feature allows the camera to continue capturing what’s happening around your car when it’s parked. Depending on where you park, you can work with your installer to choose between two frame-per-second Time Lapse, Energy Saving, and Motion/Impact Detection options. In Motion and Impact mode, the camera monitors the image sensor for changes that indicate something or someone has entered the field of vision. When this happens, it stores a video file with 10 seconds of footage before and after the trigger. The built-in three-axis accelerometer also monitors the vehicle for motion from an impact, which triggers a similar recording.

Energy-saving mode foregoes image sensing, dramatically reducing the electrical energy required to maintain camera operation. This mode is ideal for longer-term parking recording.

Built-In ADAS Features

The Q200 is no slouch when it comes to bonus features. The camera includes Advanced Driver Assistance Systems (ADAS) in the form of Lane Departure Warning (LDWS), Forward Collision Warning (FCWS), and Front Vehicle Departure Warning (FVDW). These systems use artificial intelligence and advanced image processing to detect potential hazards and provide a warning to the driver. The GPS antenna must be installed for these features to function.

Protect Yourself with the Thinkware Q200

As is evident, the Thinkware Q200 dash camera system is exponentially more capable than most solutions you’ll find outside a professional mobile enhancement retailer. If you want premium image quality in the videos, advanced ADAS warnings, and easy Wi-Fi downloading, drop by your local Thinkware retailer and ask about the Q200 system. They can provide a package price for the dual camera system with expert installation to ensure reliable operation.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

The Reference For Great Sound

Listening to music goes back to the dawn of man. From banging a few tree branches together to the latest computer-generated pop hit, music is a universal language that everyone can enjoy. People who put significant effort into the accurate reproduction of the music they enjoy are often called audiophiles. There is a running joke that audiophiles sometimes concentrate more on listening to the equipment they use to make great sound than to the music itself. While this so-called joke is certainly true during the purchasing and setup stage, once audiophiles have their systems sounding the way they want, the focus turns to enjoying the music.

If you get into a discussion about choosing high-end audio equipment, inevitably someone will suggest that you seek out a reference. The ultimate reference is a live performance. We want to be clear: Artists don’t make money like they used to from album sales. Supporting the performers you enjoy by attending concerts not only is great entertainment for you, but allows the performer to make a few dollars.

With this in mind, the reference for what the reproduction of a recording should sound like is not a live performance.

This article provides a generalization about most music heard on a car radio. There are exceptions; we understand that. We want you to think outside what you were once told.

How Music is Recorded

For most music, each musician or performer is in a recording studio. Microphones are used to capture the subsequent performance. For a singer, the mic is usually directly in front of them. For a group of singers, each individual may have a mic, or they may be gathered around a single centralized mic or a pair of microphones set up to capture the performance in stereo. For someone playing an electric guitar, the mic is most likely in front of the amplifier.

In some recording sessions, the amplifier is placed in a small room and cranked to 11 so it clips and distorts the sound, and that gets recorded. This overdriven performance gives the guitar “a certain sound” that some producers and engineers like.

These techniques go on and on. At the very extreme might be a drum kit. Some recording engineers have microphones on each drum and cymbal, then overhead mics to pick up rim shots and another set of mics forward of the drums to capture the room’s acoustics. Consider this as well: The sensitivity pattern of a microphone is not so narrow that it only captures what is directly in front of it, so each microphone captures information from all of the drums and cymbals, to some extent.

The specific placement of a microphone relative to the instrument it is recording has a dramatic effect on what it captures. Let’s take a look at recording an acoustic guitar. A microphone a few inches in front of the soundhole will capture significantly different information than if the mic is located halfway up the fingerboard. The question now becomes, What microphone position is correct? The next question is, If we were standing in the recording studio with the guitarist, would we hear the same thing that the microphone recorded?

The Effect of the Studio

Each make and model of instrument has its own unique characteristic set of harmonics that gives it a “sound.” So, too, does each studio. Some are very large with acoustically absorbent surfaces. Some are very small and have a “live” sound. Placing the same performer with the same instrument in each of these studios will result in a different sound in the listening and recording position. If you haven’t seen it, watch the Foo Fighters’ documentary, “Sonic Highways.” It provides a great look at how different studios can affect the sound of a performance.

Let’s review what we have so far. For a given performance, we have a unique performer, their choice of instrument, the environment, the choice of microphone and the microphone placement that affect what we hear. We are just warming up!

The Control Room

In a studio, the musicians perform in what is called the live room or sometimes an isolation booth. We already know that the shape, size and finish of these rooms affect what gets recorded, but what about the control room? This is a separate room from where the performance is taking place and where the recording engineer and producer typically sit. In this room are the control console, computers to capture and process the recording, and – most importantly – monitor speakers.

In a gross and undetailed generalization, once each microphone channel has been recorded, the producer manipulates each channel to produce the final mix. This manipulation can be as simple as the left-to-right panning and level of each instrument, or as complex as equalization, compression, gating, adding distortion and much more. Often, many processes are applied simultaneously to each channel. It can take weeks or months to mix a single complex track.

We all know how different each and every set of speakers can sound. When we add the acoustics of the control room to the mix (pun intended), the number of variables increases dramatically. Listening to the same master track in two different control rooms can result in dramatically different results. This begs the question once again of what is correct, and how do we know?

Measuring and calibrating the frequency response of the monitoring speaker system will certainly help a lot, but that doesn’t account for the distortion characteristics of the speakers. Let’s say the speakers sound a little warm because the midbass driver has a resonance problem due to nonlinearities in the spider. Even a mild resonance can wreak havoc with the perceived balance of the speaker. Worse, you can’t EQ it back out. Yes, you can flatten the overall response level of the system, but if you are getting some 120 Hz content because the cone is playing 60 Hz, that can’t be removed. Lack of distortion in speakers is crucial to accurate reproduction.

Circle of Destruction?

So, we have our performers in a studio playing music. Microphones are set up in specific locations to capture that performance and the acoustics of the environment. The recording engineer is listening to what is captured by the microphones on that studio’s monitor system. The engineer makes adjustments to the mix based on what he hears. The music is then sold to the public. We listen to it on our reference systems and, if everything has gone according to plan, we enjoy it.

But what if we don’t enjoy it? What if we think what we hear doesn’t have enough bass or has too much high-frequency information? Do we make adjustments to the tone controls on our radios? Does the act of attempting to reproduce sound evolve from a scientific task to a form of art?

What about the Live Performance?

Our friends and experts suggested that our reference for listening to music be a live performance. Is it an acoustic performance? Is it in an open-air stadium or a small club? Are any band members drunk? The number of variables that can affect what we hear is nearly infinite. Your best hope of using a live performance as a reference is to listen to a recording of that particular performance. If the recording took place anywhere else, it just might not work. Will the experience be worthwhile and enjoyable? The answer to that is a resounding yes! That performance is not our reference.

What is our Reference For Great Sound?

For a given performance in a given location with a specific set of instruments and microphone placement techniques, the absolute reference for what that performance should sound like would be the control room where the final mixing took place. Even if we expanded our example to a simple two-microphone recording of a choir in a massive cathedral, the recording engineer is likely to make some small adjustments, using a reference audio system or reference headphones, before that recording is released to the public.

Reproducing and listening to music is about more than just frequency response. Time response, reflections in the listening environment and much more affect what we hear. The best way to develop a reference is to listen to the same recording on as many great systems as you can. Ignore the make, model, color and cost of the equipment you are auditioning. Work to quantify the difference between what you hear and what you have heard previously.

After a while, you will start to develop a reference for what sounds good. Continue to listen. Evaluate new products, new applications and new environments. Sure, a personal preference is still involved, but that is your contribution to the art of recording and enjoying music: You can make it sound the way you want.

Your local specialist mobile electronics retailer will have many different systems you can audition. Drop by and ask to listen to a few. If they have a demo car, then definitely listen to that! Listening to music is a lot of fun – never forget that.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Product Spotlight: Rockford Fosgate PMX-BTUR

Imagine you are driving your side-by-side down a twisty, high-speed trail. You want to crank up the volume on your stereo. Do you take your hands off the wheel to make an adjustment? You don’t have to if you have the Rockford Fosgate PMX-BTUR universal remote control installed. Let’s check it out!

What is the Rockford Fosgate PMX-BTUR?

The PMX-BTUR is a remote designed to mount on the steering wheel of your side-by-side, boat, car, or truck. The remote pairs with your smartphone using Bluetooth and allows you to control the device. You can adjust the smartphone’s volume, change tracks, or even answer a phone call. When used with an iPhone, you can also fast-forward and pause what’s playing.

The remote is impressively compact, measuring only 2-3/4 inches tall, 1-7/8 inches wide, and 1-1/4 inches thick. Your installer can mount it on the dash or a center console using two-sided tape. The remote also comes with a heavy-duty Velcro strap and mounting adapter that allows it to be attached to the inside of your steering wheel. Best of all, there are no wires to run. The device is powered by an easily replaceable CR2032 coin cell.

Rockford Fosgate PMX-BTUR — The PMX-BTUR universal Bluetooth remote is small enough to fit in your pocket.

How Does the PMX-BTUR Work?

The PMX-BTUR is easy to configure and use. Once installed, press any button to wake the remote up. You can then search for PMX-BTUR in the list of available devices. Once selected, it will pair with your smartphone. The remote uses Bluetooth 4.0 to communicate commands to your phone. It uses Bluetooth Low Energy (BLE) as only small digital commands are transmitted back to the phone. This communication method dramatically reduces power consumption and extends the battery’s life. Low Energy Bluetooth still provides up to 30 feet (10 meters) of range. As such, you can use your Polaris Ranger’s Rear Audio Cap to provide music for the entire campsite and control it all with the PMX-BTUR.

Durable Design for Long Life

Rockford Fosgate knows how crazy things can get in a side-by-side or after an evening of hanging out with friends by the campfire. The PMX-BTUR remote is IP67 rated, so it can be dropped in the water or get dusty without fear of failing. The materials used to construct the remote are designed to withstand prolonged UV and salt spray exposure.

Remote Control Adds Safety

The PMX-BTUR controls the operation of your phone, not a radio. As such, you can pair your phone with almost any radio brand and use this remote. It would be an excellent solution for a factory-installed or aftermarket motorcycle audio system mounted on the handlebar. You could even use the PMX-BTUR with a motorcycle helmet and built-in speakers.

Of course, if you are captaining a boat, then the PMX-BTUR adds instant convenience. Imagine being at the helm of a jet boat headed up the rapids. Keeping your hands on the wheel is crucial to ending the day with great stories instead of drama. The PMX-BTUR is a perfect solution!

Do you have an older car or truck without steering-wheel audio system controls? The PMX-BTUR is the perfect solution for controlling your phone. Stream music from a service like Pandora or Spotify, then use the remote to change tracks or adjust the volume.

Add Audio System Convenience Today

If you’re looking for a remote that works with most smartphones to provide volume, track selection, and let you answer a call, drop by a local authorized Rockford Fosgate retailer today. You can find a shop near you using the online locator tool on their website. As always, be sure to follow our fanatical friends from Tempe on Facebook, Instagram, and, of course, YouTube.
This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Product Spotlight: PMX-1R Marine Remote

Installing a marine radio in your boat is the best way to improve your day on the water. If your boat has bow seating, a swim platform, a cuddy, or a full cabin, adding a wired remote to the source unit at the helm makes it easier to control the music. The marine audio experts at Rockford Fosgate offer several wired remote solutions to upgrade their marine multimedia receivers. Let’s check out the PMX-1R wired remote control.

Rockford Fosgate PMX-1R Design

The PMX-1R is a compact wired remote with a rotary encoder, eight buttons, and a 2.7-inch color display. Its functions mimic the controls on the PMX-2, PMX-3, and PMX-5CAN radios. The remote also works with the PMX-8BB and the older PMX-5 source unit.

The remote measures 4.2 inches in height, 4.5 inches wide, and only 2.5 inches deep. Its shallow depth makes it a popular choice for instrument clusters where space behind the mounting panel is an issue. In those applications, a source unit like the nearly identical-looking PMX-3 could be installed in the galley or nav station.

Rockford Fosgate PMX-1R — The PMX-1R doesn’t require much mounting depth, making it ideal for mounting in the hull of a boat.

The display features the same TFT wet-bonded design used in the PMX-3 source unit. This construction method allows for great visibility and vibrant colors in bright conditions.

At the center of the remote is a rotary encoder with a large knob that serves as the system volume control. The knob can be pushed to access additional functions. Speaking of additional functions, the eight rubber-coated buttons provide direct access to track or channel selection, source selection, and even dimmer control. Knowing how Rockford Fosgate fanatics think, dedicated SUB + and SUB – buttons provide direct access to adjust the subwoofer output. Things couldn’t be more intuitive.

Remote Wiring and Installation Options

Your installer will find a multi-pin DIN connector on the remote’s rear. This plug connects to any Rockford Fosgate marine source units mentioned above using the PMX16C 16-foot, PMX25C 25-foot, or PMX50C 50-foot extension cables sold separately. Multiple remotes can be used with a single source unit with the addition of the PMXYC Y-cable. Rockford Fosgate marine radios will support up to three remotes and as much as 100 feet of cable in the installation. That’s not 100 feet per remote, by the way.

The remote mounts through a three-inch hole in whatever panel you choose. Your installer can clamp the remote with the aluminum support bracket. Alternatively, they can use the four stainless steel mounting screws to affix the remote from the front. A trim ring is provided to conceal the mounting hardware, giving the remote a clean and tidy appearance. A rubber seal ensures water won’t get into the boat through the mounting hole in either solution.

Element Ready™ Design

Crucially, all Rockford Fosgate marine source units and remotes feature their Element Ready™ design. Where most companies stop with weather resistance ratings like the IPX6 found on the front panel, things go several steps further with the PMX-1R and its brethren. The remotes are tested in a UV light exposure chamber, which mimics years of prolonged sun exposure. The materials and design must remain colorfast and not turn chalky, fade, or dry out. Further, salt fog testing ensures the radios and remotes can be used in saltwater without concern over corrosion.

Rockford Fosgate takes things even further with its vibration and impact testing. When crashing over the waves, your boat can experience impacts of well over 5 G’s, with emergency situations exceeding 7 G’s. All products carrying the Element Ready™ symbol are tested on a vibration bench to ensure the design and internal components can withstand these stresses. When the Product Specialist you are working with tells you that purchasing a Rockford Fosgate marine source unit and remote is an investment in quality, they have the proof to support that statement.

Unlimited Installation Applications

Aside from marine applications, recreational vehicles, motorhomes, travel trailers, campers, and toy haulers are popular applications for Rockford Fosgate marine source units and remotes. A radio can be installed in the dash, and then additional remotes can be added in the kitchen, master suite, or even outside to control a set of marine-grade speakers. If you have a four-seater side-by-side, a PMX-1R could be added to a Stage 5 Polaris Ranger audio system to give the backseat crew as much control as the driver.

Upgrade Your Marine Radio with the Rockford Fosgate PMX-1R Today!

Whether you are starting to build an audio system from scratch or looking to upgrade an existing installation, adding a remote like the PMX-1R is an excellent solution. If space is limited, the PMX-0 remote without an LCD display is another option. To find the best solution for your application, drop by a local authorized Rockford Fosgate retailer today. You can find a shop near you using the online locator tool on their website. As always, be sure to follow our fanatical friends from Tempe on Facebook, Instagram, and, of course, YouTube.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Modern Navigation Systems for Today’s Vehicles

Paper maps used to be the only way of planning route navigation. Before you, or perhaps your parents, set out on vacation, you would pick up maps for each state or province you planned to drive through, lay them out on the kitchen or dining room table, and highlight the route to take.

The problem with maps is that someone has to read them, and trying to read a map while driving is quite dangerous. Automakers realized that maybe technology could be used to make driving safer. This concept was the birth of the navigation system.

Through the 1980s, Toyota and Mazda worked on several different navigation systems for their cars. Some of these early navigation systems used digitized paper maps. In the 1990s, Mazda introduced the first GPS-based navigation system. Nowadays, most vehicles sold in North America have the option of navigation.

Navigation System Hardware

Modern navigation systems have four key components. The first is a computer. This computer runs the navigation software that plans the route you have requested, tells you when to turn and advises you when you arrive. The second key component is the maps used with the navigation software. Two companies offer these maps, which are licensed to the end-user. The third component is the GPS receiver module and antenna. The GPS receiver lets the navigation system know where you are, and where you are headed. Finally, there is an interface. The interface is usually a touchscreen of some kind. The interface displays the maps and accepts the input of information to plan the route. Information can be typed on a touchscreen or spoken to the software and converted to text.

What is GPS?

GPS stands for Global Positioning System. The U.S. Department of Defense created the technology in 1975 and it was fully functional by 1995. The purpose of the system was to provide accurate location, speed and altitude data anywhere on the planet. The GPS system comprises about 30 satellites that orbit the Earth. Each one transmits a uniquely coded signal with a very accurate time stamp. The GPS receiver can, once it has acquired signals from several satellites, triangulate its location by comparing the difference in arrival time of each signal. The GPS system most of us are used to is called Navstar, and it is operated and maintained by the U.S. Air Force Space Command.

Many consumers refer to a Portable Navigation System (PNS) or in-dash navigation system as a GPS. While this term has become accepted, GPS is just one key component of a navigation system.

Not surprisingly, there is more than one GPS system in use globally. Russia operates a system called GLONASS, India has IRNSS, the Chinese have BeiDou-2 and the Europeans have Galileo. Some GPS receivers can capture information from multiple systems to improve accuracy. An example would be a radio-controlled camera drone – these use GLONASS and Navstar to provide more resolution regarding their position.

The signal sent to the navigation computer by the navigation receiver includes the longitude, latitude, heading (the direction you are traveling), altitude, velocity and the current time.

What are Navigation Maps?

Knowing where you are on the planet is great. The real key to a navigation system is its maps. Maps are available from one of two companies: TomTom, which purchased TeleAtlas in 2007, and Nokia, which purchased Navteq in 2008.

Maps are databases of roads stored as vectors. A vector is a line between two points. In the case of navigation road maps, the end points of the lines (or roads) are GPS coordinates. Most navigation map information contains additional information such as house numbers. If you have every wondered why some house or building addresses are off by a little bit, the reason is based on how addresses are stored. At one end of a street, or section of road, the map data contains the beginning house number. The other end of the street has the ending house number. Navigation systems spread out the difference between the two house numbers evenly along the length of the street. This predicted location does not always match reality because of geography – or pure randomness, based on the whim of the local municipal building department.

Navigation systems are useless without maps. They couldn’t plan routes or give directions. You are, quite literally, at the mercy of the quality and accuracy of the maps you own.

Working in conjunction with the map database is a Points of Interest (also known as POI) database. A POI database contains information about businesses and landmarks, and often includes a phone number. Depending on your navigation system, you may have as few as 1.5 million points of interest or as many as 11 million. The manufacturer decides how much they are willing to spend on this information. If your navigation system can search for gas stations, hotels, restaurants or hospitals, then the map data includes a POI database.

Some of the very first navigation systems used analog tape to store map and POI data. Yes – analog, magnetic tape! From that point, we moved to CD-ROM, DVD-ROM, hard disk drives and flash memory. The latest systems are based on smartphones and don’t have the map data permanently stored onboard – it’s all downloaded over the air, using a cellular connection in real time.

Modern Navigation System Features

Modern navigation systems are amazing tools to help you travel safely and efficiently. These systems use extremely complex and proprietary algorithms to decide the best route between the starting and ending points of your route. The most basic of navigation software takes into consideration the size of the road (number of lanes and, if available, speed limit) and the direction of the turns you may have to make to complete the route. Navigation software companies are very protective of their route creation algorithms.

Modern navigation systems can accept real-time information to make route planning more accurate and efficient. The first upgrade was including traffic flow information. Many systems used FM antennae to capture traffic flow information that was broadcast in major urban areas. This technology is called RDS-TMC traffic, since the information was coded into the same frequency space as FM radio RDS information. Newer systems capture this traffic flow and accident information through the SiriusXM receiver. You do need a subscription to SiriusXM Traffic and, of course, supporting hardware in your vehicle to makes this work.

Apple CarPlay and Android Auto

If you have a vehicle with Apple CarPlay or Android Auto, your smartphone becomes an integral part of your navigation solution. Apple or Google stores map information and downloads it in real time through your smartphone’s data plan. The beauty of this solution is that you never, ever have to pay for map updates – the information is always being updated.

Apple Maps and Google Maps both offer turn-by-turn navigation solutions that use each brand’s advanced voice recognition software. All you have to do is press a button and ask the system to take you to an address.

CarPlay and Android Auto navigation has the benefit of being able to acquire Point of Interest information directly from the Internet. If a new company opens and registers itself with Apple and Google, you can search for it right away.

One drawback of CarPlay and Android Auto is that the maps aren’t stored on the phone or in the vehicle. If you are traveling to another country, your cellular provider will charge roaming fees. (You can get roaming data plans to help minimize the cost, so that’s not a huge deal, but it has to be considered before you buy.) Another consideration is that these systems are constantly downloading map information. If you happen to have a cellular data plan with very limited bandwidth, this could eventually cost some money in data overage charges. These are not show-stoppers, just considerations.

Google Waze

One very popular navigation application used by people who live in high-traffic areas like Los Angeles, Toronto, San Francisco, Seattle, Honolulu, New Orleans or Chicago is called Waze. This application is available for iPhone and Android phones for free. The beauty of Waze is that other users provide traffic flow information, including detours, accidents and warnings for potholes, weather or even animals on the road. Waze offers crowd-sourced traffic information at its finest. Google purchased Waze in June of 2013 for $1.3 billion. If you run the risk of getting stuck in a traffic jam, try Waze; it’s quite impressive.

Using any navigation solution has its perils. If your co-pilot is reading directions from a paper map, or you are trying to drive while listening to voice prompts from a navigation system, there is always the risk of making an error while turning, merging or exiting. Always be careful when navigating and heed the rules of the road at all times.

If you are in the market for a navigation solution for your vehicle, visit your local mobile electronics specialist. They have many different solutions depending on the vehicle you drive. Some systems replace the factory radio, some work with it and some operate separately from it. They can show you the options for your vehicle.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

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Thinkware Q200 Front and Rear Camera System

Rear and Optional Cameras

Parking Mode

Built-In ADAS Features

Protect Yourself with the Thinkware Q200

How Music is Recorded

The Effect of the Studio

The Control Room

Circle of Destruction?

What about the Live Performance?

What is our Reference For Great Sound?

What is the Rockford Fosgate PMX-BTUR?

How Does the PMX-BTUR Work?

Durable Design for Long Life

Remote Control Adds Safety

Add Audio System Convenience Today

Rockford Fosgate PMX-1R Design

Remote Wiring and Installation Options

Element Ready™ Design

Unlimited Installation Applications

Upgrade Your Marine Radio with the Rockford Fosgate PMX-1R Today!

Navigation System Hardware

What is GPS?

What are Navigation Maps?

Modern Navigation System Features

Apple CarPlay and Android Auto

Google Waze

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